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California Society of Printmakers
California Society of Printmakers

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Searching for Meaning @ GRO

Searching For Meaning, an exhibition of the global art intervention, Extraction: Art at the Edge of the Abyss 
Gallery Route One
Point Reyes Station, California
April 3–May 9, 2021

This exhibition explores climate change and the impacts of extracting resources from the earth not only on the global ecosystem but also human ecology. As humans navigate this new changing world environment, we find ourselves searching for meaning. Juror Dana Harris Seeger asks “If we can create the meaning that we all search for, how will we exemplify that? What will it look like?”

Participating Artists Include: Rhiannon Alpers, Arturo Araujo, Megan Broughton, Israel Campos, Jen Cole, Holly Downing, Beth Fein, Barbara Foster, Lola Fraknoi, Karen Gallagher-Iverson, Susan Howe, Joanna Kidd, Evelyn Klein, Danguole Rita Kuolas, Kent Manske, Mary V. Marsh, Hj Mooij, Margaret Niven, Janis O’Driscoll, Michael O’Shea, Luz Marina Ruiz, Robynn Smith, Maryly Snow, Jane Springwater, Jack Stone, Jami Taback, Summer Ventis, Donna Westerman, Millie Whipplesmith Plank, Nanette Wylde, Linda Yoshizawa.

Searching for Meaning, Juror Statement:
Searching for meaning. That is what artists do. We take the world around us: observations, events, experiences and we extract from that our existing worldview, or sometimes place upon it a new view. A view looking down from above, looking down over the edge. This past year we have all been searching for meaning in a pandemic, in political upheaval and social strife. There will come a time when we will no longer be in the present, when we will be looking at the past, at all that has happened, and the art created during this time. How will we see our shared experiences? How will we form a new view? This exhibit is an opportunity to take a step back, to stand on the edge and look over into the unknown. If we can create the meaning that we all search for, how will we exemplify that? What will it look like?

About the Juror:
Dana Harris Seeger is a painter, printmaker and educator. She holds an MFA from San Jose State University and has taught at colleges and universities as well as private institutions all over the United States. Harris Seeger is Co-founder and current Program Director of the School of Visual Philosophy in San Jose, California, an organization she co-created in 2014. She has been a member of the California Society of Printmakers since 2011. Dana was named one of KQED’s inaugural 10 Bay Area Women to Watch in 2016 and the SVCreates Artist Laureate for 2020.

Artists’ Statements and Bios

To view as a slide show (or in higher resolution) click on any image. Then use arrows to navigate.

Robynn Smith, August 9, Relief print and collage, 6 x 17 in, 2020
Jack Stone, bQ3XE3b, woodcut, 10 x 17 x 2 in, 2020
Jane Springwater, Changing With The Tides, Etching Aquatint, 27 x 27 in, 2018
Luz Marina Ruiz, Change, Collage monotype linocut and letterpress, 16 x 10 in, 2021
H J Mooij, Chip reader broken please swipe Credit card, letterpress, 2.5 x 3.5 in, 2019
Margaret Niven, Eden 4 of 10, photo polymer intaglio chine collé and chalk pastel, 15 x 30 in, 2021
Danguole Rita Kuolas, Emergence, Photopolymer Etching, 12 X 8 in, 2020
H J Mooij, Figure A- this figure demonstrates how the process of extraction can lead to growth, relief and drypoint with chine colle, 5 x 5 in, 2021
Joanna Kidd, Flower Creature Book, artist's book screenprints, 8 x 16 x .5 in, 2020
Susan Leone Howe, Grass State no.1, woodcut, 20.5 x 17 in, 2015
Michael OShea, Hanjin in Hanjin out, Collagraph and Cyanotype, 24 x 18 in, 2019
Summer Ventis, Held Breaths I, screen print, 10 x 8 in
Mary V Marsh, here hear Valley Oak map, photopolymer gravure and letterpress, 15 x 11 in, 2020
Holly Downing, Importing Wisdom, Tibetan Bangdian, hand-colored mezzotint, 11 x 13.5 in, 2018
Linda Yoshizawa, Mecha Kucha, Solarplate etching and collage, 6 x 8 in, 2018
Nanette Wylde, Milagros for Times Like These II, Lithography and screen print, 30 x 22 in, 2021
Arturo Araujo, Nada Detrás del Espejo, Nothing Behind the Mirror, Photoengraving and hand coloring, 7.75 x 5.75 in, 2021
Rhiannon Alpers, Philosophers Way, Artist's Book, folded broadside letterpress printed, handcut, 6.25 x 14 flat, 6.25 x 3.5 folded, 2021
Beth Fein, Quarantine Dream, photo etching with chine collé, 12 x 12 in, 2020
Jen Cole, Quiet Lines of this House ,Monotype, 22 x 24 in, 2019
Donna Westerman, Ring of Fire at Briones, multiple block reduction woodcut, 9 x 12 in, 2020
Lola Fraknoi, Scattered 2, Monoprint, 30 x 22 in, 2021
Israel Campos, Self-Portrait with Tecpatl, Etching and aquatint, 8 x 6 in, 2020
Evelyn Klein, Surreal Sky Surreal Year, Drypoint collagraph photo etching and screenprint on fabric, 10 x 30 in, 2021
Megan Broughton; Svalbard, 79.75° North, Pack Ice II, State II; intaglio hardground etching and aquatint; 18 x 21 in; 2020
Maryly Snow, Tangled Climate Measurement Time, Etching and mixed media installation, 45 x 45 in, 2019–2021
Linda Yoshizawa, The Woods Beyond, Solarplate etching, 6 x 10 in, 2017
Jami Taback, Wayfinding 2, Collagraph Print Diptych with Letterpress on Handmade Paper, 18 x 12 in, 2020
Millie Whipplesmith Plank, Where the River Flows, woodcut print, 22 x16 in, 2020
Janis O'Driscoll, Which Way Which Way, Relief and eco prints collage with wax on wood panel, 8 x 8 in, 2021
Rhiannon Alpers, Whispering Stones, Artist's Book, 9 x 5 x .5 in, 2021
Karen Gallagher Iverson, Wine Dark Tides, Point Reyes Tidal Flats 1-9, Pochoir printed and drawn colored pastel on wax on nine panels, 18 x 18 in, 2019
Barbara Foster, Wrapped Seeking to Mobilize a Defense, Woodcut on giclée photograph, 17 x 13 in, 2020
Kent Manske; You, I, Me, We, Us; monoprint, 21.5 x 15.5 in, 2021
  • Casey Gardner

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